Charlot #9: Cruel, Cruel Love

Release Date:
March 26, 1914

Studio:
Keystone

Director:
George Nichols

Also Starring:
Minta Durfee
Chester Conklin
Eva Nelson

Tramp:
No

Worth Watching?
Not really

I showed [A Woman of the Sea] exactly once at one theater … and that was the end of that. The film was promptly returned to Mr Chaplin’s vaults and no one has ever seen it again.

Josef von Sternberg, Fun in a Chinese Laundry

Charlot #8: His Favorite Pastime

Release Date:
March 16, 1914

Studio:
Keystone

Director:
George Nichols

Also Starring:
Roscoe Arbuckle
Peggy Pearce

Tramp:
Yes

Worth Watching?
No

The moment we met we ignited; it was mutual, and my heart sang. How romantic were those morning’s turning up fro work with the anticipation of seeing her each day.

Chaplin, My Autobiography

Charlot #7: Tango Tangles

Release Date:
March 9, 1914

Studio:
Keystone

Director:
Mack Sennett

Also Starring:
Roscoe Arbuckle
Ford Sterling
Minta Durfee

Tramp:
I don’t think so

Worth Watching?
Nope

Keystone comedies directed by Sennett are perhaps the best examples of the studio’s true vision. Tango Tangles is particularly boorish and violent, while the characters are merely one-dimensional caricatures. Oddly enough, this is precisely the brilliance behind many of the best Keystone comedies.

James Neibaur, Early Charlie Chaplin: The Artist as Apprentice at Keystone Studios